{"id":218,"date":"2017-01-22T22:36:37","date_gmt":"2017-01-22T22:36:37","guid":{"rendered":"http:\/\/www.gillianclarke.co.uk\/gc2017\/?page_id=218"},"modified":"2017-01-22T22:38:36","modified_gmt":"2017-01-22T22:38:36","slug":"iambic-pentameter","status":"publish","type":"page","link":"http:\/\/www.gillianclarke.co.uk\/gc2017\/iambic-pentameter\/","title":{"rendered":"Iambic pentameter"},"content":{"rendered":"<p>Look up &#8216;metre&#8217; in a book of poetry terms, and you&#8217;ll find too much to take in, so I&#8217;ve chosen the important one, Shakespeare&#8217;s favourite, the one we still speak and write.<\/p>\n<p>Once you get the hang of it you&#8217;ll hear iambic pentameter everywhere. In the weather forecast: &#8216;A <strong>deep<\/strong> de<strong>press<\/strong>ion <strong>mov<\/strong>ing <strong>from<\/strong> the <strong>west<\/strong>&#8216;. In the street: &#8216;D<strong>ian<\/strong>a <strong>dyes<\/strong> her <strong>hair<\/strong>, I&#8217;m <strong>sure<\/strong> she <strong>does<\/strong>&#8216;. In the ordinary things people say: &#8216;Would <strong>an<\/strong>y<strong>bod<\/strong>y <strong>like<\/strong> a <strong>cup<\/strong> of <strong>tea<\/strong>?&#8217; Those examples all have exactly the same tune as Shakespeare used in his plays and in his sonnets.<\/p>\n<p>The word &#8216;iambic&#8217; describes a line where the stressed beat falls on the second of two syllables. (When the stress falls on the first syllable, as in &#8216;<strong>Dou<\/strong>ble, <strong>dou<\/strong>ble, <strong>toil<\/strong> and <strong>trou<\/strong>ble&#8217;, it&#8217;s called &#8216;trochaic&#8217; metre.) Pentameter means 5 beats in a line. Tap the line with your foot, and you&#8217;ll find 5 good thumps in the rhythm of each line.<\/p>\n<p>You&#8217;ll find examples of 5 beat lines in my poem &#8216;On the Train&#8217;. The first 2 verses are written in iambic pentameter. Verse 3 loses the rhythm, breaking into 3 shorter, stuttering lines, but picks it up again for the last 3 lines. In the 4th, final verse, the iambic pentameter is lost again.<\/p>\n<p>I chose iambic pentameter instinctively for the first part of the poem. It is a dignified rhythm, and it suited the tragedy of the story. I let the rhythm break as the poem moved from the story into the grief. It&#8217;s as if at first I am a story teller, and as if gradually I become a traveller involved in the event, or a grieving partner waiting at home. I let broken rhythms into the poem because I felt they suggested a struggle to speak and breathe.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Look up &#8216;metre&#8217; in a book of poetry terms, and you&#8217;ll find too much to take in, so I&#8217;ve chosen the important one, Shakespeare&#8217;s favourite, the one we still speak and write. Once you get the hang of it you&#8217;ll hear iambic pentameter everywhere. In the weather forecast: &#8216;A deep depression moving from the west&#8216;.&hellip; <a class=\"more-link\" href=\"http:\/\/www.gillianclarke.co.uk\/gc2017\/iambic-pentameter\/\">Continue reading <span class=\"screen-reader-text\">Iambic pentameter<\/span> <span class=\"meta-nav\" aria-hidden=\"true\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-218","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8lhFD-3w","_links":{"self":[{"href":"http:\/\/www.gillianclarke.co.uk\/gc2017\/wp-json\/wp\/v2\/pages\/218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.gillianclarke.co.uk\/gc2017\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.gillianclarke.co.uk\/gc2017\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.gillianclarke.co.uk\/gc2017\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gillianclarke.co.uk\/gc2017\/wp-json\/wp\/v2\/comments?post=218"}],"version-history":[{"count":2,"href":"http:\/\/www.gillianclarke.co.uk\/gc2017\/wp-json\/wp\/v2\/pages\/218\/revisions"}],"predecessor-version":[{"id":220,"href":"http:\/\/www.gillianclarke.co.uk\/gc2017\/wp-json\/wp\/v2\/pages\/218\/revisions\/220"}],"wp:attachment":[{"href":"http:\/\/www.gillianclarke.co.uk\/gc2017\/wp-json\/wp\/v2\/media?parent=218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}